Saturday, October 19, 1974

• ★★★★★ · Reply to AndyB123 · Incornsyucopia · 2016

  "Whats going on during the whole Phil and Ned part? The beginning is great with the beats and scratches that make it sound like turntablism, but I know they we'rent making those direct drive Technics decks back then and DJ q-bert probably wasnt even born yet. The sounds are great.....but then it kinda wanders off on us...if anyone can provide info, I'd be much obliged." Better late than never. I can answer your question as I discussed this specific performance with Ned in person.

• ★★★★★ · Every '74 gets a five · Lewis/Klitschko · 2005

  The show that stands out at Winterland for being the most song-oriented on a VERY jam-filled week. Don't let anyone tell you they were getting tired in October. It's the most mellow month, to be sure, but the jams are as exploratory as ever. Jerry's playing with a warmer tone and an advanced melodic touch even for a year in which he excelled in both. Perhaps the tone of the guitar presaged 11/20/78's.

• ★★★★★ · Dancin' in Winterland · jfk62 · 2005

  This recording puts you THERE! The sound of the instruments and vocals sounds like a soundboard recording, but there is ALOT of "good" crowd noise (clapping and chearing) that gives the recording an audience tape feel. The effect is of standing in the front row hearing the band cooking on stage with the audience going nuts around you. You HAVE to listen to this one and download if you dare - you may not listen to your other CDs again.

Community reviews from archive.org, not the Curator.

• gd1974-10-19.112531.sbd.BEAR.partial.twotapesides.flac2424 bit 88.2kHz SBD Reel > cass Recorded by the Immortal Owsley Stanley; · ★ 5.00 · 8,759 dl
• gd1974-10-19.131694.sbd.boswell-smith.flac24Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips. > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith · ★ 5.00 · 9,345 dl
• gd1974-10-19.131704.sbd.boswell-smith.flac16Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith · ★ 5.00 · 12,867 dl
• gd1974-10-19.139578.sbd.gastwirt.miller.sirmick.flac16Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick · ★ 4.50 · 5,269 dl
• gd1974-10-19.140626.sbd.gastwirt.miller.sirmick.fixed.flac1644Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; This is a fixed version of source ID 139578 · ★ 5.00 · 17,714 dl
• gd1974-10-19.152593.aud.flac1644Unknown AUD from the collection of Rich Petrunis. · 1,926 dl
• gd1974-10-19.169824.aud.Connor.gems.flac2496Sony ECM-22P mic (mono) > Sony TC-55 > Maxell UD C-90 cassettes · ★ 5.00 · 561 dl
• gd1974-10-19.169825.aud.Connor.gems.flac1648Sony ECM-22P mic (mono) > Sony TC-55 > Maxell UD C-90 cassettes · ★ 5.00 · 717 dl
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