Brent era

Wednesday, November 26, 1980

Hollywood, FL · The Sportatorium

Show stats

Wednesday
Day 331 of 1980
Show #
79 of 91
Era
Brent era
Keys
Brent
Recordings
11
Top rating
★ 5.00 (3)
Top-rated tape
MATRIX
Total dl
151,308
Songs played
23 · 3 sets
Show length
2h 42m
Longest track
Eyes of the World · 15:55
27NotableRank #828 of 1,999
archive.org ratingRelisten rating

From the tapers · archive.org · 3

Read 2 more reviews
  • ★★★★★ · Hot Hot Hot · Smerdyakov · 2011

    A blazing four show run. This is the rocking energized GD at their best. Coming off the big 3 set shows of Sept./Oct. things were definitely clicking in Florida. Just listen to Minglewood and you'll get the idea of what we are working with here. Sometimes all I can do is shake my head and grin. Damn, Jerry!!

  • ★★★★★ · sunset · chris phillips · 2012

    The Dead's sound system and Jerry's guitar playing in 80-81 are essential. Nothing afterwards is comparable Jerry wise or sound wise. I absolutely loathed the sound of the digital era frankly, but for me it's a moot point! this show is representative of the fact that this was it.

Community reviews from archive.org, not the Curator.

Setlist

Setlist from CMU Dead archive (mleone/gdead)

Recordings on archive.org · 11

Top-rated source

gd1980-11-26.132344.mtx.dusborne.flac16

2 Source Matrix by Dusborne; Soundboard (shnid:03380) Source: Master Soundboard Cassette > Cassette > DAT > CDRCD and Audience (shnid:101699) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)by Jim Wise Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16 · ★ 5.00 (3 reviews) · 13,283 dl

Compare all 11 sources
  • gd1980-11-26.132221.aud.beyer-m160.flac16flac16/48kHz ; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Masters (TDK SA-90) played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the properly dithered 16 bit 48 KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise · 2,837 dl
  • gd1980-11-26.132222.aud.beyer-m160.flac24Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the 24 bit 96KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise · 3,645 dl
  • gd1980-11-26.132344.mtx.dusborne.flac162 Source Matrix by Dusborne; Soundboard (shnid:03380) Source: Master Soundboard Cassette > Cassette > DAT > CDRCD and Audience (shnid:101699) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)by Jim Wise Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16 · ★ 5.00 · 13,283 dl
  • gd1980-11-26.134094.sbd.miller.flac16SBD -> Cassette Master -> Dat · ★ 4.00 · 13,386 dl
  • gd1980-11-26.135530.sbd.miller.fkac16SBD -> Cassette Master -> Dat · 7,158 dl
  • gd1980-11-26.150965.mtx.chappell.sb33a.flac16Matrix (SBD/AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618/1 or 62%/38% · 1,674 dl
  • gd1980-11-26.175073.sbd.miller.phase-repair.flac1644SBD > Cassette Master > DAT · 547 dl
  • gd1980-11-26.beyerm160.wise.miller.101699.flac16Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) · ★ 4.67 · 26,036 dl
  • +3 more on archive.org