Sunday, October 10, 1982

• ★★★★★ · One Set Wonder · fireonshakedownstreet · 2005

  This is one of the best first sets out there and my favorite first set of 82. They really bring it. The Minglewood opener is my favorite all time. Its vicious. Jerry, Brent, Phil, the Devils are just on fire, and of course there is Bobby with that 82 voice that I love. Ripping solos by Jerry, Brent, and even Bobby on the slide. Phil is booming all over the place. Into Sugaree. Oh man a thick groove. Jerry sounds like an angel. Again Jerry shreds all the solos.

• ★★★★★ · Was Just After I Stopped Attending · Evan S. Hunt · 2006

  This show was in my home area, but alas, it was right after I stopped attending GD concerts. This recording is splendid, I mean, divine. I think I must boldly proclaim that this is one of the best recordings commercial, or not, that I have ever heard. The Grateful Dead come roaring out of the starting gate and keep it up all day. Now, don't get me wrong, his may not be a dazzling overall show, performance wise, but it sounds so good you don't care.

• ★★★★★ · 10.10---all that needs to be said. · Dstone5553 · 2005

  This show is on the top of people's lists of favorite shows (especially for 82) for good reason. The first set songs at the end of the set which once occupied the b-side (remember XL II-s) and had garcia solos that were dead on perfect one song after the other. The fact that they were some of my favorite song solos for him to play made it all the better. I'm talking about his solos on Far from me, then Loser, then Looks, then Rider.

Community reviews from archive.org, not the Curator.

• gd1982-10-10.111039.nak300.hoey.flac16Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact · ★ 5.00 · 4,510 dl
• gd1982-10-10.123623.senn421.gans.miller.flac24Sennheiser 421 -> Cassette Master (Sony TC-D5M) · ★ 4.00 · 3,471 dl
• gd1982-10-10.123624.senn421.gans.miller.flac16Sennheiser 421 -> Cassette Master (Sony TC-D5M) · ★ 5.00 · 4,496 dl
• gd1982-10-10.141523.sbd.pcm.dalton.miller.clugston.flac1644Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 · ★ 5.00 · 8,834 dl
• gd1982-10-10.143391.FOB.ECM-150.Keeler.Miller.Noel.t-flac2496Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90) · 1,912 dl
• gd1982-10-10.145248.fob.sony.ecm150.keeler.miller.noel.t-flac1644Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90) · 3,010 dl
• gd1982-10-10.167623.nak700.severson.miller.clugston.flac1648Mark Severson's Master Audience Cassettes (patched out of Bob Menke); Nakamichi 700 mics > Sony TC-D5M (Maxell UDXLII) · 375 dl
• gd1982-10-10.167624.nak700.severson.miller.clugston.flac2496Mark Severson's Master Audience Cassettes (patched out of Bob Menke); Nakamichi 700 mics > Sony TC-D5M (Maxell UDXLII) · 495 dl
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