Brent era

Tuesday, April 26, 1983

Philadelphia, PA · The Spectrum

Show stats

Tuesday
Day 116 of 1983
Show #
24 of 71
Era
Brent era
Keys
Brent
Recordings
16
Top rating
★ 5.00 (3)
Official release
Dave's Picks Vol 39
Top-rated tape
MATRIX
Total dl
142,583
Songs played
21 · 3 sets
Show length
2h 22m
Longest track
Shakedown Street · 14:14

Curator Score

How this is computed →
49StandoutRank #161 of 1,999
Official releasearchive.org ratingRelisten rating

Featured on: Dave's Picks Vol 39

From the tapers · archive.org · 3

Read 2 more reviews
  • ★★★★★ · very underrated show · sheikyerbouti · 2004

    never heard this before and cant believe the raw power of this through everything minglewood, TLEO, let it grow, franklins, not fade - this whole show is rocking... new haven was ok and the first night of this was not that great so never had anything to go by apart from the song list which never seemed that diff. in addition there were so many smoking shows in spring '83...

  • ★★★★★ · Brent's pimpin on the keys.... · early 80's meltdown · 2005

    The first thing that came to mind was Brent's such a mack daddy, putting a little funkadelic George Clinton Parliment sound to it. Especially on Skake and women. Brent had this sound towards end of 79'(S.Yarsmouth) through early 80's. Top notch Dead in my book and yea, I agree the Dead probably like playin the Spectrum. Pretty tight old school arena.

Community reviews from archive.org, not the Curator.

Official release

Bust-outs & rarities

Setlist

Set 1

  1. 1.Shakedown Street
  2. 2.New Minglewood Blues
  3. 3.They Love Each Other
  4. 4.Me and My Uncle
  5. 5.Mexicali Blues
  6. 6.Maybe You Know How I Feel
  7. 7.West L.A. Fadeaway
  8. 8.My Brother Esau
  9. 9.It Must Have Been the Roses
  10. 10.Let it Grow

Set 2

  1. 1.Help on the Way
  2. 2.Slipknot!
  3. 3.Franklin's Tower
  4. 4.Man Smart/Woman Smarter
  5. 5.drums
  6. 6.Truckin'
  7. 7.Nobody's Jam
  8. 8.Morning Dew
  9. 9.Throwin' Stones
  10. 10.Not Fade Away

Encore

  1. 1.U.S. Blues

Setlist from CMU Dead archive (mleone/gdead)

Recordings on archive.org · 16

Top-rated source

gd1983-04-26.132607.mtx.dusborne.flac16

2 Source Matrix by Dusborne; Soundboard(shinid:97544) SBD -> Cassette Master -> Cassette -> Dat (48k); Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; and Audience(shinid:28360) Unknown mics > MC > C > C > Hardrive via souncard > Cool Edit to split tracks > flac · ★ 5.00 (3 reviews) · 8,180 dl

Relistenarchive.org
Compare all 16 sources
  • gd1983-04-26.112583.Sennheiser.daweez.d5scott.flac16Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; · ★ 4.00 · 3,318 dl
  • gd1983-04-26.132607.mtx.dusborne.flac162 Source Matrix by Dusborne; Soundboard(shinid:97544) SBD -> Cassette Master -> Cassette -> Dat (48k); Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; and Audience(shinid:28360) Unknown mics > MC > C > C > Hardrive via souncard > Cool Edit to split tracks > flac · ★ 5.00 · 8,180 dl
  • gd1983-04-26.132784.sbd.healy-wise.flac16flac16/48kHz ; Master Soundboard Cassette (Dan Healy)-1st Generation 7 Inch Reel @ 7.5 ips 1/4 Track(Dick L)-Tascam 122MK111 Cassette Deck-Technics 1506 Reel 2 Reel); Analog To Digital-Reel Playback on Otari MX5050-JVC SV-3700 DAT Deck @48KHz; DAT x Zero-DAT x One JVC 3700-JVC 3700 via AES cable; DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise · ★ 5.00 · 18,074 dl
  • gd1983-04-26.133384.fob.recoton-mm180.colyard.ford.sbeok.flac16MAC; (FOB) Recoton mm180s > Sony TCM-D5; Location: 14th row center; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @ 24/88.2>UAD-2> UVHR22/Crystal Resampler> .wav@16/44.1> xAct> flac16. Tapers: Rick "Coyote" Colyard and Tom Gagen; Transfer, edits and mastering: Alex Ford · 2,530 dl
  • gd1983-04-26.133385.fob.recoton-mm180.colyard.ford.flac2488MAC; (FOB) Recoton mm180s > Sony TCM-D5; Location: 14th row center; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @ 24/88.2>UAD-2> .wav@24/88.2> xAct> flac24; Tapers: Rick "Coyote" Colyard and Tom Gagen; Transfer, edits and mastering: Alex Ford · 2,081 dl
  • gd1983-04-26.136744.Unk-Hill.Keo.Flac2496Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename · 2,062 dl
  • gd1983-04-26.136745.Unk-Hill.Keo.Flac1644Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename · 1,652 dl
  • gd1983-04-26.141737.beyerm201.johnson.holbrook.flac1644flac16/44.1 Master AUD: Beyer M201 hypercardiod XY->Sony TCD5M|TDK MA90 No DolbyLocation:set1 20ft from stacks RT side lower sectionset2 behind stage 20 feet from stacks 5 ' ROC · 1,124 dl
  • +8 more on archive.org