Saturday, June 25, 1983

• ★★★★★ · too much blow baby, but.... · jonesin · 2006

  One of the worst TouchOfGrey's ever. Jerry must've done too much of something to open the second set because once he reaches the bridge, he starts singing the 3rd verse before the bridge is complete. From this point on, his vocals are a train wreck as he can't remember the sequence of words to the song. The band follows, thinking, is it I Will Survive or We Will Survive? I feel bad for Jerr, it's a terrible brainf*ck for an opener. UJB cuts// in after Women and is cut before the// Jam(d2-trk6).

• ★★★★★ · Perception is everything... · mgoshey · 2008

  Karen (RIP) dragged me to this show saying, as I recall, "you've got to see these guys, you simply won't believe it!" The following year I left for Asia and didn't return until '96. This was the first of the dozen or so shows I saw in that brief year that recast forever my expectations from music, having never found their musical equal. I was too new to know any better and completely melted at this show.

• ★★★★★ · this source info · macdoogle · 2011

  this show was recorded by an ole bud.this might not be from the 1st deck but its definitely from the source of nak 300's way up front.I've been listening to this show since the tour.i love all of 83 and this show really is no slouch.the women are smarter is one of the best ever next to 4/19/87.this version definitely deserves praise.spaces were always really good from summer tour on before the fall tour.check this show out for sure.McQ

Community reviews from archive.org, not the Curator.

• gd1983-06-25.135473.Unk-Hill.Keo.Flac2496Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename · 1,302 dl
• gd1983-06-25.135474.Unk-Hill.Keo.Flac1644Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename · 1,400 dl
• gd1983-06-25.140521.FOB.Bryant.Miller.Noel.t-flac2496Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD · ★ 4.00 · 2,530 dl
• gd1983-06-25.141160.fob.bryant.miller.noel.t-flac1644Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 · 2,468 dl
• gd1983-06-25.142362.beyerm201.holbrook.flac1644flac16 44.1khz Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 ++ First Gen patch: [Same mics]Marantz Superscope PMD420| Maxell UDXLII 90Cassette copy: Sony TCD5M> Denon DR330 Location: ~40 feet from stage, 25 feet LOC (in front of Phil) · 1,274 dl
• gd1983-06-25.142363.beyerm201.holbrook.flac2448flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 ++ First Gen patch: [Same mics]Marantz Superscope PMD420| Maxell UDXLII 90Cassette copy: Sony TCD5M> Denon DR330 Location: ~40 feet from stage, 25 feet LOC (in front of Phil) · 1,276 dl
• gd1983-06-25.148002.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Mixer > Sony D5M · 835 dl
• gd1983-06-25.148003.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Mixer > Sony D5M · 1,267 dl
• +6 more on archive.org