Friday, October 14, 1983

• ★★★★★ · Boys at there best · joeo sd · 2005

  This show brings back great memories, unlike the following nights show that weekend in Hartford in 83. It was the best seats I ever had for a show. We were front row, me and 5 friends, about 15 feet in front of the band. Security was tight and there was plenty of room to move. The band opened up strong and gained momentum throughout. The show peaked at scarlet fire estimated eyes (68 minutes). They really came out in the second set and blew the roof off, especially during fire.

• ★★★★★ · Spanish Jam>Other One... · Thymer · 2005

  Just caught the Spanish Jam>Other One while daydreaming. I must say, I really like the recording. Wish I was there. Too bad I was only in sixth grade at the time. I must thank Jerome Garcia for all the inspiration he has provided for me over the years. The man was "Mozart" in disguise. He looked me in the eyes once before, and that was the last time I saw the man alive. Warfield, S.F. 1994, JGB. John Kahn was alive then too. I miss them both. Did some hard time for being noticed.

• ★★★★★ · I never argue · bscalera · 2009

  best ever of anything the Dead played...too many eras, periods, transitions....their evolution was such an ongoing beautiful experience for me that I just can't make comparisons. BUT after listening to the first set which was well played, bright and bouncy, full of energy I listened to the first 30 minutes of the second set and was magically transported to the heady vitamin A days of my time at Dead shows...I can't begin to explain the warm nostalgia and flowing imagery.

Community reviews from archive.org, not the Curator.

• gd1983-10-14.122237.audio-technia.chaisingwilma.flac24source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435> sbm-1>d-8>sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit; Note : Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate · 1,834 dl
• gd1983-10-14.135319.Unk-Hill.Keo.Flac2496Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename · ★ 5.00 · 2,537 dl
• gd1983-10-14.135320.Unk-Hill.Keo.Flac1644Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename · 1,752 dl
• gd1983-10-14.137303.senn421.miller.flac24(FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched) · 1,732 dl
• gd1983-10-14.137326.senn421.miller.flac16(FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched) · 1,630 dl
• gd1983-10-14.143260.beyerm201.holbrook.flac1644Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD) · 2,095 dl
• gd1983-10-14.143261.beyerm201.holbrook.flac2448Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD) · 3,308 dl
• gd1983-10-14.150969.sbd.eaton-latvala.miller.flac1644SBD > Cassette Master > DAT (Panasonic SV-3700/44.1k) > DAT (Panasonic SV-3800) · ★ 5.00 · 10,911 dl
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