Late 80s

Tuesday, December 31, 1985

Oakland, CA · Oakland Coliseum

Show stats

Tuesday
Day 365 of 1985
Show #
73 of 73
Era
Late 80s
Keys
Brent
Recordings
22
Top rating
★ 5.00 (2)
Top-rated tape
AUD
Total dl
139,131
Songs played
22 · 4 sets
Show length
2h 31m
Longest track
Let It Grow · 12:01
15SolidRank #1,657 of 1,999
archive.org ratingRelisten rating

From the tapers · archive.org · 3

Read 2 more reviews
  • ★★★★★ · Not Fade Away!!! · dupree413 · 2013

    If you were not around for '85 shows, you need to somehow get a look at this one. It was on the USA network (audio - FM stations). This New Year's show is underrated. Sure it's not '76 or '78, but it is a 20 song show that is solid from start to finish. If you can get the Father Garducci (sp?) segment, please do. It is funny and he did a great job with that style of humor. Not Fade is pulsating and takes you right into the show.

  • ★★★★★ · For those of you who weren't there · logan714 · 2009

    First I've seen a few reviews b******* about the band and their quality of playing that night. Well, first things first, the band was as HIGH as we were. And I was pretty damn high that night. Love the tye-dye crowd effect from the Gondola at the top of the arena. Full oil bubble show, full projection screens. Just beautiful. Everybody I hear b******* about the show I didn't see you at section 223 using the scoreboard as a rolling tray or for linskies.

Community reviews from archive.org, not the Curator.

Setlist

Setlist from CMU Dead archive (mleone/gdead)

Recordings on archive.org · 22

Top-rated source

gd1985-12-31.aud.unknown.braverman.9395.shnf

Audience cassette (Nak 300/Sony D5) · ★ 5.00 (2 reviews) · 6,633 dl

Compare all 22 sources
  • gd1985-12-31.121395.Sennheiser421.d5scott.flac16Source: 2 Sennheiser 421 microphones - up front/center> Sony TC-D5M - analog master cassettes; · 2,262 dl
  • gd1985-12-31.135434.aud.Holtz.NakCM104.flac16Source: Nakamichi CM-100 mics w/CP-4 shotgun caps > Sony TC-D5M > MAC (Maxell MX-90's); Taper location: On floor at soundboard a few feet right of center, mics 8' high; · ★ 4.00 · 1,688 dl
  • gd1985-12-31.140910.unknown.Bryant.Miller.Noel.t-flac2496Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD · 972 dl
  • gd1985-12-31.141244.unknown.Bryant.Miller.Noel.t-flac1644Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD · 1,274 dl
  • gd1985-12-31.141994.pp-aud.tobin.flac1644Patched and Pitch Corrected Audience - AUD (original shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin · 911 dl
  • gd1985-12-31.141995.mtx.tobin.flac1644Matrix 2 Source Mix - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin · 3,474 dl
  • gd1985-12-31.141996.dts.tobin.flac1644DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin · 365 dl
  • gd1985-12-31.141997.5-1.tobin.flac2496flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin; Fixed version in circulation · 390 dl
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