Late 80s
Monday, March 23, 1987
Show stats
- Monday
- Day 82 of 1987
- Show #
- 9 of 88
- Era
- Late 80s
- Keys
- Brent
- Recordings
- 17
- Top rating
- ★ 5.00 (1)
- Top-rated tape
- SBD
- Total dl
- 161,018
- Songs played
- 19 · 3 sets
- Show length
- 2h 5m
- Longest track
- Truckin' · 10:00
Curator Score
How this is computed →From the tapers · archive.org · 3
- ★★★★★ · Smokin' · Illuin · 2013
Like the entire Spring Tour of '87, this show was amazing. The energy from all of the shows in the '87 Spring Tour was unmatched at any other time, aside from '71-'72. If you want to "capture in a bottle" what a live Dead show was like for a friend who never had a chance to see them, this is the recording that will do it. Actually, any of the '87 Springtime shows will do it (Spectrum, Centrum, etc.).
Read 2 more reviews
- ★★★★★ · I was there · jonschwartz · 2005
Ok, now I found my fav show, i was confusing it with a Hartford show a couple days later or whatever. To respond to the other review, I think the booing at one point was cuz someone lit off an m-80 or something and recently at an East Coast show someone threw a bottle on stage and so forth so eberyone was trying to keep it mellow and this one jerk did that. I remember this show perfectly, and lemme tell you, the band, expecially Jerry ,was on fire.
- ★★★★★ · Grate Year and Grate Venue · CJed · 2015
Hampton is one of my favorite venues of all time! Grate location, general admission, nice and small. I've been to a boatload of shows but it just so happened that Spring of 87 was the only time I ordered the whole tour book. We didnt get tix for Hartford for some reason but saw all of the others. 1987 was an amazing year and this spring tour was freaking hot! The Hampton shows were the first East Coast Post-Coma shows and they blew the roof off the place all three nights!
Community reviews from archive.org, not the Curator.
Setlist
Set 1
Set 2
Encore
Setlist from CMU Dead archive (mleone/gdead)
Recordings on archive.org · 17
Top-rated source
gd1987-03-23.141287.5-1.tobin.flac1648
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - mixing by Kevin Tobin · ★ 5.00 (1 reviews) · 4,493 dl
Compare all 17 sources
- gd1987-03-23.135582.chasingwilma.flac24Updated · 1,835 dl
- gd1987-03-23.140679.sbd.miller.flac2496Ultra Matrix SBD > Cassette Master (TDK MA-R90) · 3,479 dl
- gd1987-03-23.140683.UltraMatrixSBD.cm.miller.flac1644Ultra Matrix SBD > Cassette Master (TDK MA-R90) · 4,364 dl
- gd1987-03-23.141278.pp-aud.tobin.flac9624Patched & Pitch Corrected Audience (original shnid = 132155) Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - pitch correction and patches by Kevin Tobin · 914 dl
- gd1987-03-23.141279.pp-aud.tobin.flac16Patched and Pitch Corrected Audience (original shnid = 132155) Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - pitch correction and patches by Kevin Tobin · 806 dl
- gd1987-03-23.141284.mtx.tobin.flac9624Matrix 2 Source Mix - SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - matrix mixing by Kevin Tobin · 1,682 dl
- gd1987-03-23.141285.mtx.tobin.flac16Matrix 2 Source Mix - SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - matrix mixing by Kevin Tobin · 2,086 dl
- gd1987-03-23.141286.dts.tobin.flac16DTS-Audio-CD 5.1 Mix; SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - dts mixing by Kevin Tobin · 331 dl
- +9 more on archive.org