Late 80s
Saturday, July 2, 1988
Show stats
- Saturday
- Day 184 of 1988
- Show #
- 41 of 82
- Era
- Late 80s
- Keys
- Brent
- Recordings
- 38
- Top rating
- ★ 5.00 (1)
- Top-rated tape
- AUD (FOB)
- Total dl
- 262,031
- Songs played
- 19 · 3 sets
- Show length
- 2h 28m
- Longest track
- Terrapin Station · 11:51
Curator Score
How this is computed →From the tapers · archive.org · 3
- ★★★★★ · Best... Shows.... EVER · Zoog · 2015
We took a busload of newbs to their first Dead Show. Let's stop for a second and consider what was going on: crowd control experts estimated that there were 250,000 people inside the speedway and another 250,000 outside the speedway. The Dead had their tower speakers they rarely used, and many of them were pointed outward so the crowd outside blended with the one inside. Quite simply, it was the biggest concert in human history.
Read 2 more reviews
- ★★★★★ · Yes · hitmeister · 2019
If you don't like this show, then you don't like the Grateful Dead. This is about as good as the band got in 1988. While it's easy to argue that the Dead's best years were during the first half of their career, there's a lot to be said for what they did at their best later on. This one has a little of everything, or at least as much as can be crammed into a 3-hour GD performance. I often use the word "amazing" to describe the Dead's music, and it applies here.
- ★★★★★ · The Pepto Pink · gonzoc · 2005
Ah yes, Bobby's pepto pink strat. In addition, let's not forget the sleeveless cut-off t-shirt to underscore the point that he had been lifting recently. To me, Oxford was the height of Bobby's wannabe-ness. A particularly funny moment occurred during one of the choruses of Row Jimmy (probably the one right after the 3rd verse where Brent used to solo), when Bobby gets the notion to grab his guitar like a canoe paddle and starts paddling air--very purposely and seriously.
Community reviews from archive.org, not the Curator.
Setlist
Set 1
Set 2
Encore
Setlist from CMU Dead archive (mleone/gdead)
Recordings on archive.org · 38
Top-rated source
gd1988-07-02.140674.FOB.Neumann.Silberman.Ammons.Noel.t-flac1644
Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons · ★ 5.00 (1 reviews) · 2,734 dl
Compare all 38 sources
- gd1988-07-02.124766.AT835.laurentis.flac16Taper: M. Laurentus; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac · ★ 4.00 · 2,369 dl
- gd1988-07-02.132393.Nak100CP4.Seremetcc.Keo.Flac1644Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename · 1,202 dl
- gd1988-07-02.132394.Nak100CP4.Seremetcc.Keo.Flac2496Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename · 1,366 dl
- gd1988-07-02.138736.set2.5-1.tobin.flac1648flac16/48kHz ; 5.1 LPCM Surround Sound (48k) Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin · 1,816 dl
- gd1988-07-02.138737.set2.mtx.tobin.flac16Matrix 2 Source Mix Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin · 1,579 dl
- gd1988-07-02.138738.set2.dts.tobin.flac16DTS-Audio-CD 5.1 Mix; Set 2 Only SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin · 1,145 dl
- gd1988-07-02.140673.s1.FOB.Schoeps.Bryant.Gastwirt.Miller.Noel.t-flac1644Set 1 from Robert Bryant (from an Oade Bros. patch) FOB; Recording: Schoeps MK2 spaced omni's > Sony F1 > PCM > DAT; Charlie Miller · 1,434 dl
- gd1988-07-02.140674.FOB.Neumann.Silberman.Ammons.Noel.t-flac1644Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons · ★ 5.00 · 2,734 dl
- +30 more on archive.org