Final
Monday, February 26, 1990
Show stats
- Monday
- Day 57 of 1990
- Show #
- 2 of 78
- Era
- Final
- Keys
- Brent
- Recordings
- 7
- Top rating
- ★ 5.00 (1)
- Top-rated tape
- AUD (FOB)
- Total dl
- 112,733
- Songs played
- 16 · 3 sets
- Show length
- 2h 24m
- Longest track
- Fire On The Mountain · 17:30
Curator Score
How this is computed →From the tapers · archive.org · 3
- ★★★★★ · This is the show! · darazn1 · 2008
A show as tranquil as the night sky. This show is less a rock concert, more of a meditation. Likewise, if you want to be entertained, approach it like you're visiting a museum. The band is warming up for a spring tour with intent to cut a live album, so they are striving for musical perfection. The result is that there are instances where the moments of magic throw off the singers and distract from the lyrics. The various jams of the Scarlet Fire are insane. One more fantastic than the next.
Read 2 more reviews
- ★★★★★ · Booya · semmy · 2005
Mark this date...by far one of my favorite shows-ever! The first set was tight outside of Bobby in Bucket-which, interestingly enough was boogie material. The Ramble was perhaps the most perfect tune I have ever seen live. The middies in jerrys jam are quintesential '89/'90 stuff. Hard to poke any holes in Bobby's "are you ready for startime intro for Senor Lesh. Everybody say "Please" will be pleasabily psyched. Most importantly!!!! The Scarlet>Fire was the bomb!
- ★★★★★ · Wonderful show! · redeyedjim · 2005
The second set opens with a 30+ minute Scarlet>Fire that's as satisfying and complex as a glass of good port. It's just like settling into a big comfy chair with a great book -- at turns friendly, engrossing, fascinating, and very well detailed -- complex, but the complexity is an organic part of the music. A prelude to the cosmic goodness that was Spring Tour 1990.
Community reviews from archive.org, not the Curator.
Setlist
Set 1
Set 2
Encore
Setlist from CMU Dead archive (mleone/gdead)
Recordings on archive.org · 7
Top-rated source
gd1990-02-26.141871.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
flac16/48kHz ; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes · ★ 5.00 (1 reviews) · 2,725 dl
Compare all 7 sources
- gd1990-02-26.131004.cmc44.fob.mattes.katzeff.flac16Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5) · 2,131 dl
- gd1990-02-26.137905.mtx.photoleon.t-flac16flac16/48kHz ; 2 source matrix by PhotoLeon using Audacity 2.0.6; Source 1: [shnid: 451] SBD > DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; and Source 2: Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5); Audacity: Alligned -> Labeled -> DC offset removed & normalized -> flac 16/48; tags & checksums created in xACT · ★ 4.67 · 15,875 dl
- gd1990-02-26.137963.dbx.hale.flac16Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH; this source contains two versions: a complete version and a slightly edited version that fits on two CDs (for that one person that still burns CDs) · 1,471 dl
- gd1990-02-26.141871.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648flac16/48kHz ; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes · ★ 5.00 · 2,725 dl
- gd1990-02-26.fob.senn421.alabamabob.andrewf.93841.sbeok.flac16FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. · ★ 3.00 · 6,063 dl
- gd1990-02-26.sbd.unknown.16946.shnfSnbd > Dat> cdr >Dat · ★ 4.80 · 16,890 dl
- gd90-02-26.sbd.shakedown.451.sbeok.shnfSBD > DAT > CDR > WAV > SHN · ★ 4.40 · 67,578 dl