Thursday, March 15, 1990

• ★★★★★ · Phil's 50th · Midway Kid · 2011

  Have not listened to the sound yet. So this review is of the show. My first review. More of a story. I snuck into this show. Got super lucky. The tickets were almost impossible to get on the lot as one could tell. My friend and I drove from Kansas to the show with many problems. Car broke down. Spent almost all our money fixing it. Decided to go on anyway. Nicknamed the run "sping broke". It was spring break from KU. Made it in a smoking car. Overheated. I had given up trying to get in.

• ★★★★★ · Ahhh.... Mock Turtle Jam · Monkeyfister · 2017

  Gosh, that jam just makes me smile out loud every time I hear it starting up on my big ol' Grateful Dead digital jukebox. Drummerz having a BLAST, listening to each other, and driving the vibe, Phil just going to town, Brent sprouts two more hands in the middle there, while Bobby and Jerry just feed off each other. Just freaking HUGE. Crowd is in pure bliss as some of the tightest jamming is months is happening right there for them.

• ★★★★★ · Best Rider ever? · sakanaband · 2011

  This has got to be one the greatest Rider's ever performed. There is certainly a reason why this show was picked by Phil for the Terrapin cd. It is arguably the greatest show of the almost unbelievably strong Spring 1990 run. Find me a better Terrapin, a better type II jam (after 1981), a lovelier and more powerful Wharf Rat, or more bubbly and smokin' Samson. Bet you'd be hard-pressed.

Community reviews from archive.org, not the Curator.

• gd1990-03-15.109251.aud.vamarty.shnfaud>?>Tascam 42mkII>Adobe Audition>wav · ★ 4.00 · 6,693 dl
• gd1990-03-15.140983.sbd.miller.flac2496Ultra Matrix SBD > Cassette Master (TDK MA-X90) · 9,003 dl
• gd1990-03-15.140985.UltraMatrix.sbd.cm.miller.flac1644Ultra Matrix SBD > Cassette Master (TDK MA-X90) · ★ 4.00 · 14,380 dl
• gd1990-03-15.142545.OTS.Schoeps.Mattes.Miller.Noel.t-flac1648flac16/48kHz ; Ted Mattes Master Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section stand @ 8.5ft; Charlie Miller · ★ 5.00 · 3,144 dl
• gd1990-03-15.149325.OTS.Schoeps.Mattes.Miller.Noel.reMaster.142545.t-flac1648From the Teddy Ballgame Archive - reMaster of shnid 142545 Source info: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250) Location: 1st row Tapers Section · 2,883 dl
• gd1990-03-15.28293.sbeok.shnfNak 300's > Sony D-5 (w/dolby B)> Maxell MX cass, Taper's section recorded by Boyd McHugh · ★ 4.48 · 89,026 dl
• gd1990-03-15.AUD.LaPorte.115935.Flac16Unknown Mic > Unknown Deck > Marantz PMD 430 Tapers Section Floor section 128, row FF, seat 12; Master Cassettes > SB Audigy(line in) > Adobe Audition @24bit/44.1Khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: tracking. Trader's little Helper: md5, ffp, flacs · ★ 5.00 · 6,695 dl
• gd1990-03-15.Nak300CP4.Fitzy.Keo.125871.Flac2496Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename · 3,608 dl
• +3 more on archive.org