Final
Friday, April 5, 1991
Show stats
- Friday
- Day 95 of 1991
- Show #
- 18 of 78
- Era
- Final
- Keys
- Vince + Bruce / Vince
- Recordings
- 12
- Top rating
- ★ 5.00 (2)
- Top-rated tape
- SBD
- Total dl
- 73,434
- Songs played
- 18 · 3 sets
- Show length
- 2h 43m
- Longest track
- Shakedown Street · 16:57
Curator Score
How this is computed →From the tapers · archive.org · 3
- ★★★★★ · The lights! The lights! · Cryptic1 · 2004
Definitely one of the best live shows I've ever seen. The entire show is exceedingly tight, with the exception of Bob being out of tune at the start of Shakedown. It's actually very funny because his guitar is well out front and he attacks the song with tons of energy, but he's so obviously out of tune. The band covers well, and does it justice when Bob finally comes back in (around 3:30).
Read 2 more reviews
- ★★★★★ · Rockin' · Waves1000 · 2004
My crew and I hit the Greensboro's and the Atlanta run back to back. By the time drums/space rolled around at this show I was completely satisfied - and completely exhausted (and I was much younger then!!!). I know that Other One>Wharf Rat>Throwin Stones>NFA was somewhat standard for the day, but the boys just nailed this quartet of songs to close up a fantastic run of 5 shows for us.
- ★★★★★ · so far the best show from 1991 IÃÂôve heard. · Armin Nikgol · 2005
or maybe even early 90s. This show is pure high energy. The flow is amazing, the performance is breathtaking. Vince is the maestro behind the keys and does a spectacular job. so does the rest of the band. there are almost no highlights, every song is an highlight. the monsterous space section even have the train horn!! New Minglewood Blues, Deal, shakedown (eventually) are all jsut amazing. just download this and listen to this. It can even reach the 1969 performances.... A fantastic show
Community reviews from archive.org, not the Curator.
Setlist
Set 1
Set 2
Encore
Setlist from CMU Dead archive (mleone/gdead)
Recordings on archive.org · 12
Top-rated source
gd1991-04-05.132572.sbd.healy.latvala.wise.flac16
flac16/48kHz ; DAT sound board master recorded by Dan Healy; DAT x Zero-Cassette x Zero Transfer By Dan Healy using his custom built multi cassette cloning machine nicknamed "The "Gorgon"; Analog Cassette (via Dick Latvala) to DAT Digital-Nakamichi Dragon-Sony PCM R-500 DAT@ 48KHz (circa 1998); DAT play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV; Editing(Adobe Audition 3.0)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name) Jim Wise · ★ 5.00 (2 reviews) · 7,682 dl
Compare all 12 sources
- gd1991-04-05.112389.Nak300CP4Senn441.Floater.Keo.flac16Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's>RadioShack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper · ★ 4.00 · 3,540 dl
- gd1991-04-05.112390.Nak300CP4Senn441.Floater.Keo.flac24Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's>RadioShack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz · 1,881 dl
- gd1991-04-05.132572.sbd.healy.latvala.wise.flac16flac16/48kHz ; DAT sound board master recorded by Dan Healy; DAT x Zero-Cassette x Zero Transfer By Dan Healy using his custom built multi cassette cloning machine nicknamed "The "Gorgon"; Analog Cassette (via Dick Latvala) to DAT Digital-Nakamichi Dragon-Sony PCM R-500 DAT@ 48KHz (circa 1998); DAT play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV; Editing(Adobe Audition 3.0)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name) Jim Wise · ★ 5.00 · 7,682 dl
- gd1991-04-05.133955.Nak300s-Senn441s.Baker.Keo.Flac1644Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename · ★ 5.00 · 2,921 dl
- gd1991-04-05.133956.Nak300s-Senn441s.Baker.Keo.Flac2496Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename · ★ 5.00 · 2,583 dl
- gd1991-04-05.138839.FOB.Schoeps.S2.Ammons.Noel.t-flac16flac16/48kHz ; Set 2, unknown taper: Schoeps CMC34 at 100 degrees ORTF > M1000 Cables > Tao Research PS > Panasonic SV255; FOB; John Ammons · 763 dl
- gd1991-04-05.140692.s2.OTS.Neumann.Oade.Gastwirt.Miller.Noel.t-flac1648flac16/48kHz ; Oade Brothers Recording: Neumann TLM170 -> DAT (OTS); Charlie Miller · 1,160 dl
- gd1991-04-05.149628.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (16/48) Location: FOB mics hand held, section 5, row FF, seat 7 · ★ 4.00 · 1,090 dl
- +4 more on archive.org