Late 80s

Friday, October 14, 1988

Miami, FL · Miami Arena

Show stats

Friday
Day 288 of 1988
Show #
71 of 82
Era
Late 80s
Keys
Brent
Recordings
14
Top rating
★ 5.00 (2)
Top-rated tape
SBD
Total dl
43,544
Songs played
18 · 3 sets
Show length
2h 1m
Longest track
He's Gone · 10:23
18SolidRank #1,417 of 1,999
archive.org ratingRelisten rating

From the tapers · archive.org · 3

Read 2 more reviews
  • ★★★★★ · Fun, fun, fun · hull3551 · 2007

    I always thought that was one of the most energy-filled China>Rider transitions that I’ve ever heard. You can just feel it. But I wrote it off to good vibes and warm Florida weather, or the very clean acid we took. Listening to it now – it really was one of the best I’ve heard. This is the first I’ve heard this since being at the show in ’88 and I can’t wait to get home to listen to it again through my better speakers.

  • ★★★★★ · Hot time in Miami · mewoff@hotmail.com · 2005

    A very good overall show. China/Rider is possibly the hottest I've ever seen. Row Jimmy has always been a fav of mine, as well as Brown-eyed Women. Real nice Masterpiece, and Dear Mr Fantasy rounds out a very hot show, gonna give it 5 stars, but it's really probably a 4 1/2

Community reviews from archive.org, not the Curator.

Setlist

Setlist from CMU Dead archive (mleone/gdead)

Recordings on archive.org · 14

Top-rated source

gd1988-10-14.141685.UltraMatrix.sbd.cm.miller.flac1644

UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90) · ★ 5.00 (2 reviews) · 4,083 dl

Compare all 14 sources
  • gd1988-10-14.134022.mtx.tobin.flac16Matrix 2 Source Mix - SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - matrix mixing by Kevin Tobin · 1,902 dl
  • gd1988-10-14.134023.dts.tobin.flac16DTS-Audio-CD 5.1 Mix ; SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - dts mixing by Kevin Tobin · 789 dl
  • gd1988-10-14.134024.upd-aud.tobin.flac16(original shnid = 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - pitch correction and patches by Kevin Tobin · 1,429 dl
  • gd1988-10-14.138829.aud.lamarre.berger.flac16source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger · 854 dl
  • gd1988-10-14.138830.aud.lamarre.berger.flac24source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger · 1,077 dl
  • gd1988-10-14.141625.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 · 928 dl
  • gd1988-10-14.141626.sbd.miller.flac2496UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90) · 1,249 dl
  • gd1988-10-14.141685.UltraMatrix.sbd.cm.miller.flac1644UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90) · ★ 5.00 · 4,083 dl
  • +6 more on archive.org